jane

When meeting with clients about prospective timber frame projects, we often tour some of our completed projects. And I try to take clients to see projects that bear a resemblance to what they are dreaming of building for themselves and show them what is possible with timbers. Nowhere are there more design options than in a roof system: what we can do with roofs is darn exciting!

It is a rare day in which we build a house that has a real attic, where the roof structure is hidden out of view with all those old boxes of stuff. With a timber frame and the complete exterior enclosure and insulation system of Structural Insulated Panels, “under the roof” is often the most architecturally exciting place in the house. In short, we like to flaunt our roofs. And we especially love building trusses.

Trusses are structural configurations of timbers that allow for large spans without the need of intermittent posts. As such, they allow for open floor plans and dramatic vaulted ceilings. Many of the trusses we have built over the years originated in the Middle Ages, and were used for great halls, churches, and bridges.

Here are some examples:
Raised cord king post trusses: This intimate living room with a fireplace at the end utilizes red oak timbers to do the real work of holding up the roof. The horizontal cross member that connects the two principle rafters of each truss is called the cord; the vertical center post of each truss is the king post, and the branch like curved elements going up to the principle rafters on the right and left are called struts. The raised cord gives the room a taller and more curved ceiling feel, but allowed us to keep the height of the side walls and ridge lower.

King posted trusses; one with a “live-edged” cord: For this “vehicle barn” that we built for our own family use, we wanted a garage-sized space with no internal supports. We wanted to create a building that was attractive and demonstrated our timber framing skill. We also wanted to use some of our left over timbers from our northeastern forests or timbers harvested from our land. As such, we have pine, hemlock, ash, red oak and white oak timber in this structure. The front king post truss has a curved red oak beam (often called a “Tyco Beam” in Japanese timber framing) that we sawed flat on 2 sides, which allows us to appreciate the interior grain of the log—something that does not happen when building with logs. The king post is also “live-edged”, and the “live-edged” struts are “book mated” by sawing from the same log and opening the faces to each other. The middle roof element is also a king post truss, but with a straight cord that is positioned at the eave height. Note that the kids’ barn swing that is attached to the ridge timber, is being enjoyed by my wife, Nan.

Hammer Beam Trusses: The trusses originated in the “Great Halls” of Medieval Europe. The utilize rigid triangular configurations of timbers that transfer the roof loads out to the walls. Dramatic and eye catching, they often crown modern great room spaces. These trusses are fabricated from old growth and very fine and dense Douglas Fir timbers salvaged from forest fire burned areas in Oregon. To see more photos of this beautiful home, check out the Ray Brook House in our Gallery section.

Burr Arch Trusses: This style of truss was designed for covered bridges that require large and strong spans. In such bridges there would be two trusses, flanking both sides of the road way, and the roof rafters would sit perpendicularly on top of the upper horizontal cords. The Burr Truss used an arching timber element to help transfer loads out to the end support walls or abutments. These trusses were designed for the roof system of a great room, and made of laminated red oak. We were able to fully fabricate and assemble each of the four trusses in our shop, load them on a truck, and transport them to the site and install them with a mobile crane.

Massachusetts Timber Frame StudioThese photos are of the work in progress on the Timber Frame Studio in Massachusetts. The detailing of the exterior is exquisite, utilizing red cedar shingles, and detailed with 2 shingle flare-outs. The main gable end is fenestrated beautifully with an upper curved top set of 3 windows and curved muntins. Below, the 3 window set is trimmed below with vertical cedar paneling. Elegant Greek Revival fascias and soffits trim on the roof, which will be done with standing metal roofing.

MA Timber Frame Studio InteriorThe interior photo shows the Structural Insulated Panels on the walls prior to any interior wall finish. Note that the Sips are put on the exterior of the Timber Frame, so that the insulation entirely wraps the timber structure and maximizes insulation efficiency. On the ceiling, white washed pine tongue and groove boards were applied over the purlins prior to putting the roof SIPS. The loft area is being planked with structure tongue and groove boarding. A concrete slab win radiant tubing in it will be poured for the floor.

With its complete SIPS enclosure system, high energy efficient windows, and a radiant in floor heating slab, the Studio will be toasty and easy to heat.

Adirondack Timber Frame Barn, Canton NYI just received some photos and an update from the folks for whom we built the Barn Timber Frame in Canton, NY, back in May. The roof is now on, and the walls mostly sided. Doors are in, and the windows were picked up last week from a local Amish millworks shop.

Perhaps more importantly, the goats and chickens have already taken up residence. And I am informed that while picking up the windows, some baby bunnies came home to the barn as well….

Like the traditional timber frame barns of the Northeast, this one was sided with locally milled, rough-sawn pine planking, sheathed vertically, i.e. the way the lumber grew in the tree. Boards are gapped about an inch, and then vertical batten strips will be nailed over the gaps to make the barn more weather tight. It will weather to a nice dark grey without any stain or paint. Continue reading »

This project is a timber frame for the studio of a metal sculptor, who does fabulous and intricate kinetic sculptor. We raised it in coastal Massachusetts in June.

It utilizes curved laminated timbers (glulams) that transition from the posts to the principle rafters, and in turn are held together with custom steel bands that are tightened with oak wedges. It was a unique, challenging and enjoyable project for us, with a great collaborative effort between us, the general contractor and the engineers.

Timber Frames on the TruckThe timber frame just barely fit on the truck, but boy were we glad we pre-assembled the post to rafter with curve with all its hardware components here at our full shop. It took close to 3 days to assemble the 12 sections…We had the engineers model a truck loading plan of the assemblies and other timbers and it just fit on the 48’ long semi.

Raising Timber FrameThe raising was honestly easier than anticipated. We raised with staging, as per photo, and accessed all purlins up to and including the 4th purlin up from the bottom. We then put 16’ aluminum picks across from 4th purlin to 4th purlin, and thus accessed the 5th purlins, ridges, and cupola jack rafters. A hard frame to climb on, even with full harness rigging and static lines, etc…. Not comfortable.

Finished Timber FrameInside timber frame finish view….the client loves it! He is a great guy….

Small Timber Frame Home under constructionConsider this: The average American house size grew from 1800 square feet in 1989 to about 2600 square feet in 2008. That is an in increase of 44%. And amazingly, this happened during a time in history of dramatically increasing material and energy costs, and increasing concern and understanding about global energy issues.

In her well-articulated book, “The Not So Big House”, Sarah Susanka discusses the trends that have grown our houses so large, and makes a very compelling case for smaller homes. At the heart of her story is the notion that one can design a house that has no wasted space (including getting rid of rooms that are generally unused), and therefore can be smaller. She makes a point of prioritizing quality over quantity – a fine recipe for very unique and personal homes. Continue reading »

Adriondack Timber Frame Sawyer Ernie Bedard sawing less than straight cherry to make book matched curved brace stockI first met Ernie Bedard of What Knots? Lumber Company in about 1997 when a retired forester named Mitch who lives 6 miles up the road, asked us to build a turn key timber frame addition for his late 1800′s home. Mitch wanted to harvest his own spruce off one of his wood lots and have it sawn into timber, and he knew a chap who had a portable band saw mill who could do it. I confess I was skeptical about this, for I was concerned about the sawyer’s attention to accuracy and how well the mill was tuned up, and I had seen good sawing on such machines, but also a lot of bad sawing. That was before I met Ernie… Continue reading »

In the building industry the local movement refers to more than just good produce. In the timber framing business here in the Adirondacks, it also refers to my favorite building material: wood. I have a great love and reverence for wood and my craft allows me to work with wood in a relatively natural state.

One of the great joys of timber framing is working with real (and frequently large) pieces of wood, rather than many of the building materials in the construction industry that bear little resemblance to trees. Like any business, procuring materials for timber framing is a challenging mix of cost, availability, and quality. And of course, finding good suppliers who say what they are going to do, and then do what they say. Continue reading »